Into Fire and Into Ice, digital photography manipulation, 20 x 13in (50.8 x 33.02cm), framed 28 x 20in (71.12 x 33.02cm) , $300.00 A very abstracted face, ghoulish in its deformity, is open-mouthed. Whether to eat or scream is the question. From Dante's Inferno: “Hope not ever to see Heaven. I have come to lead you to the other shore; into eternal darkness; into fire and into ice.”

Vincent's Trees, digital photography manipulation, 8in x 12in, (20.32 x 30.48cm); framed 16x20in (40.64 x 40.8cm) $200.00

Blocks 2, digital photography manipulation, 10 x 10in (25.4 x 25.4cm, $25.00

The Critters Inside Your Head, digital photography manipulation, 10 x 10in (25.4 x 25.4cm), $25.00 This is an intriguing image both in terms of color and the tiny shapes inside the whole. Abstract though it is, people try to find recognizable shapes, especially faces, in order to have a point of reference. I see a chimpanzee, Miss Piggy and a rabbit. Good luck.

October 16, 1793, digital photography manipulation, 10.5 x 7.5in, (26.67 x 19.05cm), $200.00 framed Although this an abstract composition, I saw a rich brocade and lace fabric with intricate embroidery. I shifted the hue to red. The top half of the image is still somewhat haute couture but the lower area of chaotic lines and exploding shapes suggested a scenario far removed from pomp and grandeur. I was looking for a title that would explain the duality of privilege and violence. Someone came immediately to mind. The title, October 16, 1793, is the date of Marie Antoinette's execution.

MBSu 6 orange, digital photography manipulation, 8 x 10in, (20.32 x 25.4cm), $25.00 Digital photography and digital manipulation can reveal details the human eye is unable to perceive. The depth of this hidden detail is tremendous and always surprising, being composed of more color, more line and more shape, seemingly unrelated to the subject. The dots, lines and shapes in this image originated in an image of a slowly flowing brook.